East Coast Bias in ’80s Children’s Movies

Just finished watching the 1985 Sesame Street movie Follow That Bird with my kids, and I was amazed at the Children’s Television Workshop’s horrible depiction of the Midwest. Sesame Street, of course, is based on a New York City neighborhood, with a decidedly “urban” look and feel, but random slams against the Midwest were the last thing I expected when sitting down for a nice Friday night movie with the kids. At the beginning of the movie, Big Bird is “adopted” by a family of dodo birds living in “Ocean View, Illinois,” which appears to be somewhere near Peoria.

Of course, the movie isn’t all “down with Middle America.” The cause of Big Bird’s Midwestern exile? Miss Finch, an overeager social worker who thinks Big Bird needs help finding a “real family,” whether he wants it or not. She decides Bird’s fate in a Boston board room, alongside the rest of her philanthropically-minded friends. So perhaps it isn’t Midwesterners that CTW looks down upon: just non-New Yorkers. :)

A quick rundown of the Dodos and their town:

  • The Dodos are idiots (as in “dumb as a…”). They fail to recognize Big Bird, even asking Bird if he has seen a large yellow bird on his plane.
  • They live in “Ocean View,” with no ocean within 1,000 miles.
  • The Dodos live in a bland suburb, with every house identical (except for theirs – it’s identical to the others, but hoisted up on a pole like a giant birdhouse).
  • The Dodo kids (“Donnie” and “Marie”) have no imagination – literally. When Bird says, “Let’s pretend I’m Snow White,” Donnie replies, “But you’re bright yellow.”
  • The Dodos are kinda racist. When Bird gets a postcard from Snuggy, they “tisk tisk” his choice of a non-bird best friend.

In other words, Dodos complete the list of Midwestern stereotypes: dull, small-minded, uncreative. Anyone with talent or tolerance has long ago flown the coop, so to speak.

Eh, who cares? It’s an awesome movie. Go watch it immediately. Here’s a small mushroom-flavored taste.

Somehow, I Don’t Expect Much from Religulous

Comedian Bill Maher has a new movie coming out called “Religulous,” in which he mocks Christianity, Islam, and Judaism, and attempts to encourage religious skepticism. The brief previews I’ve seen don’t look promising, and a story I read today has lowered my expectations further. The movie is produced by both Maher and Larry Charles, who also directed that model of cultural sensitivity, Borat.

Here’s Charles on religion, as quoted by the AP:

“If I believe that Jesus is God and you believe Mohammed is God, then no matter how tolerant we are, we are never going to meet,” Charles said.

Charles then goes on to conclude that religious violence between Christians and Muslims is therefore inevitable.

Except, um, Mr. Charles, Muslims don’t believe that Mohammed is God. And this is a guy who has spent the last year making a movie about Islam. Perhaps he needs to take my world religions class before making his next film.

Movies I Like: Once

The Guy and the GirlOnce is a wonderful movie – everyone must see it.   An Irish film, it tells the story of a jaded Dublin street musician (never named in the film – in the credits, he’s listed as “The Guy”) and a young Czech immigrant (also never named – “The Girl”) who meet and literally make beautiful music together.   Music fills almost every scene, whether the Guy and the Girl are playing together in a piano shop, writing music, listening to homemade CDs, or recording an album of the Guy’s songs.  Elizabeth and I were both struck at how realistic their songwriting process was – then we read the credits.  The Guy, played by Glen Hansard, and the Girl, played by Marketa Irglova, actually wrote the songs for the movie.  In a less well-done film, this could have been a mere gimmick, but in Once, it adds to the magic.  (Hansard and Irglova also recorded an album unrelated to the movie while it was being filmed.)

I can’t say too much more about why I like it so much without giving away the plot.  I will say that the movie is a powerful statement about the nature of true love, and I’ll leave it at that.

(BTW, Once is still playing at the Esquire.)

Wow – I love Netflix! (They paid me $15 to say that.)

It’s so rare when a company seems to do everything right.  I mean, it’s totally shocking – that a large, national corporation appears to operate in a logical, friendly, dare-I-say wise manner.  Yet every interaction I’ve had with Netflix has gone swimmingly.  Including today.

For 4th of July, we went down to my parents’ house.  Elizabeth’s mom was gracious enough to let us borrow a portable DVD player so that the kiddos would not get overly bored on the 6-hour car ride.   Among the movies we brought were one of Agatha’s favorites, The Wizard of Oz, and an movie borrowed from Netflix, Alice in Wonderland.  During the trip, I put the Wizard DVD into the Alice Netflix envelope, just as a way of keeping it safe temporarily.  When we returned home, Elizabeth took the Alice envelope, logically thinking it contained Alice, and mailed it back to Netflix.  Imagine her surprise when she opened the DVD player and found…Alice.  Doh!  We had mailed Netflix our own DVD.

Today, I called customer service.   For complete transparency, I was on hold for over 10 minutes, but I was at my desk, so I just put the phone on speaker and did some work.  After I explained the situation, here’s how the conversation went.

ME: “…and so we sent back our personal copy of Wizard of Oz by mistake.”

NETFLIX GUY: “Classic movie!”

ME: “Yeah.”

NG: “Did you get an email from us?”

ME: “No.”

NG: “Oooh – that’s a problem.  See, they take out every DVD from its sleeve, and if they had caught the mistake, you would have gotten an email.   But if it’s a movie we stock, then they would have assumed it was one of ours and just put it back into circulation.  I’m afraid you’re not getting in back.  I’m sorry.”

ME: “Sure, I understand.”

NG: “Well, seeing as how it wasn’t Netflix’ responsibility…”

ME: “Yeah?”

NG: “…I’m afraid that the best that we can do is…”

ME: “Yeah?” [expectng him to say some corporate version of "losers weepers"]

NG: “…offer you either a $15 refund on your credit card or give you a $15 credit on your next billing cycle.”

ME: “What?”

NG: “Actually, I take that back.  It would be a $14.99 credit.  So your next bill will only be $3.  You can use the $15 to buy a new copy of Wizard of Oz.  Try Amazon.  I bet you can get one for only seven or eight bucks on there.”

ME: “Really?”

NG: “Yeah, they’re really reliable.  They have everything.”

ME: “No, about the credit.”

NG: “Oh – sure.  It will show on your next bill.  Can I do anything else for you today, Mr. Hickerson?”

ME: “What do I do with Alice in Wonderland?”

NG: “Just wrap it up in a paper towel, put a Post-it note on it with your email address, and mail it back in one of your other envelopes.  We’ll take it from there.”

ME: “Thank you!”

Then, less than 15 minutes later, I got an email asking me if I was satisfied with my customer service experience.  I am mightily, mightily impressed.  (And, of course, I discovered that Netflix is a BBB member to boot.)

For another, less direct thing that Netflix is doing well, check out the coverage of the Netflix Prize.

America’s Pasttime

There is a good review at the NY Times today about “Reel Baseball,” a DVD collection of early baseball films. It includes this remarkable plot summary for “His Last Game,” a movie from 1909:

[T]he story is unusually pointed: a Choctaw Indian, the star pitcher of his local (integrated!) baseball team, is plied with drink by a pair of gamblers who want him to throw the game; in an argument he kills one of them and is immediately sentenced to death by firing squad.

But as he is digging his own grave, the townspeople show up and press him into service for a game. He pitches, wins for the home team and then returns to the open grave, where he is summarily executed.

Wow.



Jesus and Coca-Cola

I wish I spoke Italian. There’s a fascinating new film coming out of Italy – 7 Kilometers from Jerusalem. It’s about an Italian ad executive experiencing a mid-life crisis. He decides to go to Jerusalem to clear his mind. While on the literal road to Emmaus, he meets Jesus, and his life is transformed. I can’t wait for this film to come to the States.

The film has been the subject of some very minor controversy. When Jesus gets into the ad exec’s Jeep, he takes a refreshing drink from a can of Coca-Cola. The executive says something to the effect of “What an endorsement!” The Pope is perfectly fine with this – it’s Coke that has concerns. No word yet on how Jeep is reacting.

[HT: Richard Owen via Ruth Gledhill]